logo Hauptwerk.nl text Hauptwerk Back Console Requirements Mp3-Demos

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Figure 1: The orgel front

About the builder:
Orgelmakerij Steendam is located in Roodeschool in the province of Groningen, in the most northerly city in the Netherlands. Since 1986, Orgelmakerij Steendam has built, rebuilt, restored and renovated organs ranging from chest organs to three manual organs with independent pedal. The organs of the 19th century organ builder, C. G. F. Witte, his predecessor, Batz, and the organ builder Christiaan Muller stand centrally as inspiration for the organs of Orgelmakerij Steendam. This means that all work is performed using historical methods, with an eye to technical and musical details as already used for centuries of organ building.

In addition to organ building, Orgelmakerij Steendam also busies itself with the appraisal of organs, the construction of church furnishings (mostly in the context of organs) and, for two weeks per school year, Sicco Steendam is guest lecturer (organ building) at the Music Academy in Moscow.
In the shop in Roodeschool organs up to 16 feet in any dimension are built. All drafting is carried out in their own shop, and this makes possible close consultation with the client and the fulfillment of almost every wish. Throughout, sight is never lost of the function that the organ is going to serve and the final result is attuned as much as possible to the building in which the organ is placed.

For Sicco Steendam the love of organs is number one. Contributing to the preservation and expansion of the rich organ treasure in the Netherlands and surrounding countries is a major motivator for this organ builder.

2. The Eben Haëzerkerk in Apeldoorn (1995):
De Eben-Haëzerkerk is one of the largest churches in Apeldoorn. The church building was opened on the sixth of October, 1995, and was built as instructed by a neighbourhood congregation established in 1979 and associated with the PKN. As such it is aligned with the Gereformeerde Bond. The building was conceived by Valk architects in Soest. In addition to the large auditorium with room for 750 to 800 persons, the building has a variety of halls where church meetings take place and where associations meet.

3. The Steendam Organ (1997):
On February 21, 1997, the Steendam Organ was inaugurated by Marcel van de Ketterij and Peter Eilander in a service for parishioners and other interested parties. At the time it was an instrument with 19 ranks and a fair number of prepared for ranks. In the mean time, 4 ranks have been added, namely the Open fluit 4' and the Sesquialter II to the Hoofdwerk and the Salicet 4' and the Dulciaan 8' to the Zwelwerk. As requested by the congregation it became a romantic instrument well suited to supporting congregational singing. A large part of the organ literature may also may be interpreted faithfully, in particular, romantic works, and not in the least because of the very effective swell.

The organ case, as well as other church furnishings, are made of ash. Because the organ builder and the architect of the church were able to collaborate at an early stage, the organ is one with the building. The facade is dominated by a stately central tower displaying the largest pipes of the Hoofdwerk. The upper pipe fields also indicate that the organ possesses a Bovenwerk. In Apeldoorn the situation is such that the pipe work of the Bovenwerk is placed in a swell box which may be operated by hand or by foot.

Permanent organists at the Eben-Haezer kerk are: Peter Eilander, Marcel van de Ketterij and Arie Kortleven.

4. Organ Specification (november 2013): ( + Prepared for by builder, added in Hauptwerk. ++ not provided by the builder.)
Manual I: Hoofdwerk
C-g'''
Manual II: Zwelwerk
C-g'''
Pedal: C-f' Accessories:
01-Prestant
02-Octaaf
03-Roerfluit
04-Quint
05-Octaaf
06-Roerquint
07-Open fluit
08-Octaaf
09-Cornet
10-Sesquialter
11-Mixtuur
12 Fagot
13-Trompet
16'
8'
8'
6' + (5 1/3')
4'
3' (2 2/3')
4'
2'
3 Ranks
2 Ranks
3 - 4 Ranks
16' +
8'
01-Prestant
02-Gamba
03-Holpijp
04-Celeste
05-Salicet
06-Roerfluit
07-Nasart
08-Gemshoorn
09-Quintfluit
10-Dulciaan
11-Schalmey
 
 
8'
8'
8'
8'
4'
4'
3' (2 2/3')
2'
1 1/2' ++(1 1/3')
8'
8' +
 
 
01-Subbas
02-Gedekt
03-Octaaf
04-Trombone
05-Violon
06-Octaafbas
07-Quint
08-Bazuin
09-Violon
10-Bazuin
 
 
 
16'
8' +
4'+
8' +
16'
8'
6' + (5 1/3')
16'
12' ++ (10 2/3')
32' ++
 
 
 
Coupler Pedal - Hoofdwerk
Coupler Pedal - Zwelwerk
Manualcoupler
Tremulant Zwelwerk
Zweltrede Zwelwerk
Calcant (Motor-switch)
 
 
 
 
 
 
 

5. Technical Information:
Wind Pressure: 84 mm
Tuning: a' = ca. 440 Hz.
Temperament: Equal.

Tremulant:
The tremulant works on the Zwelwerk. On the Zwelwerk, we recorded the tremulant as an integral part.
Please note that nr. 10-Schalmey 8' is not available on the actual organ.
Since the tremulant also clearly has an effect on the Hoofdwerk we recorded it according to the following scheme:

01-Prestant 16':
02-Octaaf 8':
03-Roerfluit 8':
04-Quint 6':
05-Octaaf 4':
06-Roerquint 3':
07-Open fluit 4':
08-Octaaf 2':
09-Cornet:
10-Sesquialter:
11-Mixtuur:
12-Fagot 16':
13-Trompet 8':
No tremulant was recorded since the effect is barely noticeable.
From keys 60 - 91.
From keys 60 - 91.
Integral. (Not present on the actual organ)
From keys 48 - 91.
Integraal. (Not present on the actual organ)
Integraal.
Integraal.
Integraal. From keys 60 - 91.
Integraal.
No tremulant recorded.
From keys 65 - 91. (Not present on the actual organ)
From keys 48 - 91.
Swell pedal:
The organ has a swell pedal which operates on the Zwelwerk.
6. Particulars:
3 Channel recording method:
This sample set was recorded from different 3 positions in stereo (24 bit 96kHz).
The set comes with a 3 channel technique developed by Sygsoft which makes it possible for the listener to alter his listening position.
There are three positions, namely:
1: Front, recorded very close to the organ. Here you will hear a very direct recording well suited for studio purposes.
2: Middle, this recording was made from a distance approximately 3 x as far as the front recording.
3: Rear, far away from the organ, and useful for surround sound.
By means of 3 sliders (0 - 100%) one can mix these three positions according to taste. (See the black arrows in figure 2)

Click to enlarge
Figure 2: Virtual console
6B. Recorded tremulant combinations:
Because combined tremulant samples are never in phase, we have recorded some frequently uses Tremulant-voice combinations namely from the Hoofdwerk:
Combination I: Octaaf 8'; Roerfluit 8'; Open Fluit 4' and Cornet.
This switches in automatically (only with tremulant) if these voices are selected.
Should you not wish this automatic switching to go into effect, go the the menu item"Couplers" and select in the column "Hoofdwerk" the button marked "Auto combination."
The LEDs under the drawknobs indicate whether the combinations are in effect.


Figure 3: Combination Hoofdwerk

For the swell we recorded 5 Tremulant-voice combinations:
By means of the buttons marked by a red arrow (See figure 2) you may select these combinations. Here also, the LEDs under the drawknobs indicate which combination is chosen.

Zwelwerk:
R:
Combination I:
Combination II:
Combination III:
Combination IV:
Combination V:
Reset the last chosen combination.
Nasard 3'; Roerfluit 4' and Holpijp 8'.
Gemshoorn 2'; Nasard 3'; Roerfluit 4' and Holpijp 8'.
Dulciaan 8'; Roerfluit 4' and Holpijp 8'.
Roerfluit 4'; Holpijp 8' and Gamba 8'.
Roerfluit 4'; Holpijp 8'; Gamba 8' and Prestant 8'.

Figure 4: Combinations Zwelwerk (Combination II on)

6C. Recorded tremulant or Hauptwerk tremulant:

Fig. 5:
Hauptwerk
tremulant

Fig. 6:
Recorded
tremulant
Because recording the samples with tremulant made the sample set almost twice as large, we have also supplied the organ with an old fashioned Hauptwerk tremulant. For all voices recorded with tremulant, 2 samples per key were made. Should you wish to not load the complete set, because it demands too much memory from your computer, you can begin by omitting all ranks whose names end in "Trem."
After loading, click on the "TR" button near the tremulant (the button must be blue, see fig. 5) and you will hear the Hauptwerk tremulant. Remember that now you cannot use any of the recorded tremulant combinations (see heading 6B). Now, via voicing, you can adjust the tremulant according to personal taste. Remember that all adjustments must be carried out 3 times for Front, Middle and Rear.
To reach the correct voicing page, right click on the relevant buttons on the page "Schakelaars".


7. And finally:
The sample set was recorded from October 8 to 13, 2012.
Recording quality 96 kHz 24 bit, reduced for this set to 48 kHz 24 bit.
Number of microphones: 6.
Estimated number of hours devoted to this set: 2,200
Number of samples incorporated into this set: 29,665.
Number of files in this set 30,084 in 691 folders.
Number of statements in the Organ Definition file: 1,811,153.
Number of km driven for consultation, testing and final recording: 900.

Division of work:
Christian Boogaard: Noise reduction, demos and artistic advice.
Johan van der Waal van Dijk: processing of the samples and technical advice.
Fred de Jong: Lay-out, ODF as well as publishing the website.

Thanks to organ builder Sicco Steendam for his advice,
Martijn Bouwheer for establishing and maintaining contact, photography and supplying technical specifications.
Gosewin Bos as church warden was responsible for providing permission for the recording.

Many hands make light work: This was a major job!

Fred de Jong, March 2014.
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